One of the primary pleasures of Charlie McDowell's directorial debut The One I Love was his ability to realistically inject a dose of science-fiction into a...
After an initial red band trailer to establish its R-rated humor, a new "age appropriate" edit has arrived for the Woody Harrelson-led Wilson. Like with man...
It's about half-way through the month, which means it's time for The Criterion Collection to reveal their next slate of additions. A clear highlight of the ...
After 14 years of cinematic silence due to no shortage of legal troubles, Die Hard director John McTiernan is back. And if you did a double take upon readin...
The one-two punch of Sundance and Slamdance Film Festivals help to kick off the year in American cinema, but they also provide a window into the world at la...
For years -- and years, and years -- there'd been talk of a follow-up to David Cronenberg's Eastern Promises, a crime drama whose main (perhaps sole) purpos...
I love Banksy's work most because of how it comments on the commodification of art. Here's a world-renowned master who refuses to authenticate anything he's don...
One of the best performances of the last year can be found in the latest film from Afterschool and Simon Killer director Antonio Campos, the character study...
It's the heat of the awards season, so you know the drill. The Hollywood Reporter gets one too many moderators and misses out on a number of actual contende...
MoviePass, the innovative attempt at “interrupting” the model of traditional cinema exhibition, is finding itself in the line of attack from subscribers on social media due to a change to the how the service allocates tickets to subscribers and subsequent system glitch....
