Considering how fashionable a "spiritual sequel" is in Hollywood these days, it's a pity that those behind Katie Says Goodbye can't legally flaunt it as one of ...
After making an impression in films from Paul Thomas Anderson, David Lowery, and Spike Lee, thanks to his new exposure as television's most intelligent anti-soc...
Remakes repackaging foreign films for American audiences are justifiable if done correctly. I’d hope our movie-going public would willingly read subtitles and e...
Kiyoshi Kurosawa has ways of making it look easy, even unimpressive. To my knowledge, he has never made a film that’s less than a pleasure to simply observe, ri...
After a 17-year hiatus from directing feature length films, Alison Maclean returns to the screen with The Rehearsal, an adaptation of Eleanor Catton's acclaimed...
Life for a woman like Elmas (Ecem Uzun) in Turkey is a living nightmare. An eighteen-year old all but sold to a willing husband (Serkan Keskin's Koca) much olde...
“It's a long story.” So says Una, a young woman with a going-nowhere office job and an emotionally devastated past, when asked about her relationship with Peter...
With a title like Catfight and the only available image showing a bloodied and battered chokehold between Anne Heche and Sandra Oh, our expectations are forced ...
Writer-director Jim Sheridan has built a career off the plight of the Irish working class, with his best films (My Left Foot, In the Name of the Father, and The...
If my limited experience with Philip Roth adaptations is any indication, his novels deal in emotion. There are existential crises concerning identity involved, ...
