Unless you live in New York City and have some cash to spend or a P&I pass to wave, the New York Film Festival can feel a bit distant. But the Film Soci...
There's been cause for concern with Rogue One: A Star Wars Story. While at least some form of by-committee filmmaking is expected of, oh, every blockbuster,...
Emmy-winning director James Steven Sadwith makes his feature-directing debut with a story close to his heart. Coming Through the Rye fictionalizes his experienc...
There's no question that Thomas Dekker's sophomore effort as writer-director is a head-scratcher. What you as a viewer must decide is whether or not to keep scr...
Six years is an awfully long time for any artist to go silent, and such an absence is all the more palpable in the case of Lee Chang-dong, whose previous fe...
You've (hopefully) seen Kenneth Lonergan's films, and you (probably) agree that he has a way of writing for and hearing people -- an acute understanding of ...
Loving Vincent, a Vincent Van Gogh biopic, caught our eye for telling its story entirely through interviews with those depicted in his art. The ambitious-so...
If it wasn't for Chinese box-office returns, Duncan Jones' break into big-budget spectacle might have been for naught, career-wise, but Warcraft could prove...
In pacing, mood, and form, Certain Women is undoubtedly a Kelly Reichardt film (and we're glad), but those who can make that distinction will be all the more ...
Orphanages conjure up images of the hard-knock life and servings of gruel. This tough, deeply moving, Céline Sciamma-penned, 66-minute stop-motion gem from Fran...
