Terry George's The Promise begins with a title card that appears on-screen stating that 1.5 million Armenians were killed by the Turkish government during World...
For someone afraid of loneliness, Eric (Alan McKenna) sure loves putting himself in positions that can't help isolating him from the world. A land surveyor who ...
It's 1977 and you're the lead soprano in your first international concert. Rapturous applause and a flawless performance later you find yourself hobnobbing with...
Something's happening in Kuala Lampur—something that cannot be explained. Deaths in the vein of Bryan Fuller's gorgeously ornate displays of murder from "Hannib...
With the overwhelming presence of ideology on contemporary film criticism (this writer will admit that the majority of his festival coverage last year likely me...
The Raid star Iko Uwais deserves to silat his way through a million hapless evil men, but here’s hoping that, going forward, he picks better cinematic vehicles ...
It'll be some time before we get a follow-up to Gareth Edwards' 2014 Godzilla, but those seeking the legendary kaiju will soon have a fresh and, if you ask ...
In his heyday, Walter Hill made films of a thirty-year-or-so dissonance, everything he made in the '80s owing itself to the '50s, be it Robert Aldrich-Burt Lanc...
Jazz trumpeter Lee Morgan was known for creatively challenging the likes of Dizzy Gillespie and Miles Davis on stage with his style and intensity, a youthful pe...
