How do you sell a film when your biggest star is covered up for what looks to be the entire film? That’s the dilemma when it comes to Frank, an acclaimed Sundance black comedy that will arrive in theaters later this year. Led by Michael Fassbender, the film tracks his off-kilter band, including newcomer to the group, Domhnall Gleeson, as they struggle to create an album and the potential success that follows.
We were fans of the film at Sundance, saying, “There’s no definitive path on the unwieldy journey that is the creative process. We’ve seen countless films tackle various approaches in an attempt to find an answer, but it’s never quite been done in the vein of Lenny Abrahamson‘s peculiar, occasionally aimless, and ultimately resonant Frank.” We’ve now got the first strange, impressive trailer which can be seen below, along with a batch of new images, for the film also starring Maggie Gyllenhaal and Scoot McNairy.
Acclaimed Irish director Lenny Abrahamson follows up his award-winning films Adam & Paul, Garage and What Richard Did with an offbeat comedy about a young wannabe musician, Jon (Domhnall Gleeson), who finds himself out of his depth when he joins an avant-garde pop band led by the mysterious and enigmatic Frank (Michael Fassbender), a musical genius who hides himself inside a large fake head, and his terrifying bandmate Clara (Maggie Gyllenhaal).
Written by Jon Ronson (The Men Who Stare At Goats) and Peter Straughan (Tinker Tailor Soldier Spy, The Men Who Stare At Goats), FRANK is based on the memoir by Jon Ronson. It is a fictional story loosely inspired by Frank Sidebottom, the persona of cult musician and comedy legend Chris Sievey, as well as other outsider musicians like Daniel Johnston and Captain Beefhear
Frank hits U.K. theaters on May 9th, and U.S. release will follow.
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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