With production gearing up, it’s only a matter of time before all the casting for Wes Anderson’s next project, The Grand Budapest Hotel, falls into place. So far we have Bill Murray, Saoirse Ronan, Ralph Fiennes, Jude Law, Owen Wilson and Jason Schwartzman on board to lead the European-set film and now another rumored name has been confirmed.
Speaking with the Southern California radio station KPCC (via The Playlist), Jeff Goldblum confirmed a re-team with his Life Aquatic with Steve Zissou director. Goldblum’s last major feature film role was in Morning Glory and the actor confirmed he’s set to venture off to Europe earlier, for another Roger Michell film, Le Weekend. Then after a brief stint with his jazz band, he’s back off to Europe in January, this time to Germany for Anderson’s film.
The actor was one of the initial batch of names — along with Adrien Brody, Willem Dafoe and Edward Norton, who have yet to be confirmed. There’s no details on his role, but we know the film takes place in Hungary about 85 years ago and is inspired by the work of Billy Wilder and Ernst Lubitsch. The talented Goldblum has taken seldom feature roles the last few years, so I greatly look forward to what his reunion with Anderson brings.
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of [...]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
After months of behind-the-scenes efforts, this weekend will bring the start of Jamieson McGonigle‘s Jesse James Revival, a fan-led initiative to bring Andrew Dominik‘s The Assassination of Jesse James by the Coward Robert Ford back to the big screen — as it was always meant to be seen, and, too, in the most pristine conditions [...]
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