When, just last month, I talked to Richard Linklater about this prolific moment in his career, I had zero notion he'd been well into preparing a new-new film––...
There's always the risk of misusing 15 tightly mandated minutes on a director's junket day. One imagines it increases twofold when the subject's been of intere...
First look notwithstanding, details have been few and far between on Richard Linklater's Nouvelle Vague, largely understood to concern the production of Jean-L...
Though Richard Linklater's Hit Man is about to debut in theaters and on Netflix––just after his under-the-radar documentary God Save Texas: Hometown Prison cam...
There's a perfect world in which Richard Linklater's Hit Man, a through-and-through crowdpleaser suffused with wit and style, gets a theatrical release and is ...
Between last week's release of his under-the-radar documentary God Save Texas: Hometown Prison and the June release of his wildly entertaining crowdpleaser Hit...
Coming off the massive hit Top Gun: Maverick and proving the rom-com still has legs with Anyone But You, Glen Powell's next role finds him reuniting with Richa...
After the immense back-to-back reception of Before Midnight and Boyhood, Ricard Linklater hasn't been stuck in a creative rut per se, with highlights such as E...
One night in 2016, I was working at a small movie theater in Austin, Texas, when a man leaned over the cash register and shook my hand. “Thanks for tonight,” h...
It's quite a shame that Richard Linklater's stellar memory piece Apollo 10½: A Space Age Childhood seemed to come and go last month with little fanfare, but a ...