ND/NF

[ND/NF Review] Kill Me Please

Following in a wave of cerebral psychological horror films such as The Witch, It Follows, and The Babadook, Anita Rocha da Silveira’s debut Kill Me Please is th...

[ND/NF Review] Kaili Blues

At its heart, Bi Gan's Kaili Blues is a meditation on the struggle between traditionalism and modernism. Through the story of one man’s journey through Chinese ...

[ND/NF Review] I Promise You Anarchy

I Promise You Anarchy, by writer-director Julio Hernández Cordón, titillates equally with its queer sensuality and noirish crime, neither of which is entirely t...

[ND/NF Review] Nakom

Nakom is the first movie produced in Ghana's Kusaal language, made by directorial duo T.W. Pittman and Kelly Daniela Norris after the former’s Peace Corps stint...

[ND/NF Review] The Fool

By now, the lengthy following shot to open a film is an art-house approved cliché. But in The Fool, Yuri Bykov complicates the shot in a way that makes it feel ...

[ND/NF Review] K

For Franz Kafka, The Castle is about the plight of the individual within oppressive societal customs and the absurd attempt to reach an unattainable. Michael Ha...

[ND/NF Review] The Great Man

A Great Man is divided up into five chapters, the first four of which trace the latter half of the first chapter’s “Hamilton and Markov” duo, while the final, f...

[ND/NF Review] Fort Buchanan

To the right crowd, there are a lot of familiar faces in Benjamin Crotty’s Fort Buchanan, a look into the life of a number of mostly-sexually frustrated army sp...