Few directors capture modern life so vividly as Mia Hansen-Løve, and only in some cases does she show it in English-language contexts. Suggesting something of ...
Filmmakers are not their films, but Mia Hansen-Løve continues drawing the assumption. Her eighth feature, One Fine Morning, extends a series of semi-autobiogra...
Featuring one of a handful of great performances Léa Seydoux gave in 2022 releases, Mia Hansen-Løve's tender drama One Fine Morning is one of the major films o...
For Mia Hansen-Løve, the 2022 Cannes Film Festival marked a few returns. A year on from premiering Bergman Island, Hansen-Løve screened One Fine Morning, the d...
Mia Hansen-Løve once spoke of her corpus like a home: "I think of my work on two levels: the film itself, and then the film as a part of a larger whole. A hous...
After nearly fifteen years, Mia Hansen-Løve’s feature debut All is Forgiven finally has its theatrical release in the U.S. A tender yet heart-wrenching drama a...
Little surprise that one of this century's great debuts came from Mia Hansen-Løve; stranger that fifteen-or-so years and an exceptional oeuvre would transpire ...
One's life is their art as their art is their life—this is the axiom of Mia Hansen-Løve's career which, seemingly all of a sudden, is fifteen years and seven f...
Mia Hansen-Løve’s long-developing Bergman Island (starring Tim Roth, Vicky Krieps, Mia Wasikowska, and Anders Danielsen Lie) finally premiered at Cannes in Jul...
Parenthood, relationships, and the creative process: three key elements of the cinema of Mia Hansen-Løve casually combine in Bergman Island, a playfully self-a...
