World-premiering in this year’s Forum program at Berlinale, The Secret Drawer (Il cassetto segreto) finds director Costanza Quatriglio returning to her childho...
A yearly highlight of New York (or American) programming, the Museum of the Moving Image's First Look will return on March 13 with an opening-night screening o...
Jumper, Justin Anderson’s first short, opened on a naked man bathing in a pool. Conceived in 2014 for the tenth anniversary of British fashion designer Jonatha...
It was Mark Twain who said, “History doesn’t repeat itself but it often rhymes,” which is one way of approaching Belgian filmmaker and multimedia artist Johan ...
A few weeks ago, as The Sweet East started gracing theatres across the States, Reverse Shot ran a sprawling conversation between critic K. Austin Collins and c...
It was more than eight years ago that the virtually unknown Ryusuke Hamaguchi premiered Happy Hour, a five-hour narrative masterclass about four thirty-somethi...
A film about growing up in your father’s shadow that mostly (and unexpectedly) examines the role of women as community pillars and violence interrupters, Sujo ...
Filled with wonderful musical performances exploring the 30-year career of Luther Vandross, Dawn Porter’s sweeping biographical documentary Luther: Never Too M...
Shinya Tsukamoto’s Shadow of Fire begins as a troubling but measured film, but about a half-hour in something happens that shatters its quietude. Suddenly, a m...
You don’t need to have lived in the proverbial middle of nowhere to understand the kind of terror Alexandre Bustillo and Julien Maury’s The Soul Eater mines fr...
