A snapshot of the most exciting voices working in American and international cinema today––and with a strong focus on newcomers––the Museum of the Moving Image...
After showcasing work from the likes of Ryûsuke Hamaguchi, Hou Hsiao-hsien, Kelly Reichardt, Pedro Almodóvar, Souleymane Cissé, Jia Zhangke, Spike Lee, Lynne R...
Of all the directors who made the jump from music videos to feature-directing during MTV’s '90s peak, Michel Gondry is the sole name whose work hasn’t been abl...
Depending on who you ask, the cultural domination of the Walt Disney Company can be a wonderful thing or an inescapable nightmare. From Marvel to Pixar, 20th C...
Amongst the debut features populating Berlinale’s new section called Perspectives, none presented so admirably fresh take on fiction and political historie...
Quite a long time in the works, with Errol Morris attached to direct as early as 2013, the thriller Holland (formerly known as Holland, Michigan) finally embar...
Consider the logline: a 34-year-old, pre-diabetic, 250-pound, extremely anxious loner finds respite as a cleaning simp for dominatrices eager to belittle h...
The most significant change introduced by new Berlinale director Tricia Tuttle is the cancellation of the Encounters sidebar which hosted many arthouse gems su...
The fact that only two German films were selected to compete at the 75th Berlinale raised some eyebrows and sparked interest in the pair of sophomore features ...
When reading Claude Lanzmann’s 2009 memoir The Patagonian Hare, director Guillaume Ribot was struck by insights into making the monumental Shoah. The book ...
