Tucked deep into Don DeLillo’s Underworld is an exchange between the novel’s protagonist, Nick Shay, and one of his teachers, a Jesuit priest. It concerns lang...
The memes won't let you forget, but 2019 was half a decade ago. That was also the year Olivier Assayas' Wasp Network––an odd return to the realm of his TV seri...
It’s safe to call Canadian artist and filmmaker Bruce LaBruce a Panorama mainstay; it’s been two decades and counting since Hustler White premiered in this Ber...
Some years ago, an uncle of mine traveled to Palestine with a group of volunteers. It was a time of fewer videophones, certainly in the region, and the organis...
Egos are charred and tempers seared in La Cocina, a kitchen nightmare set in the engine rooms of a vast Times Square eatery where the staff have more pressing ...
Anyone looking to debate the limits of progress should cast an eye on 1980s Ireland. As a generation born in revolution and civil war moved from farms to towns...
In The Heirloom, a couple facing lockdown decide to adopt a pet. It’s wintertime in Toronto, and Eric and Allie are chipping away at their COVID-restricted liv...
World-premiering in this year’s Forum program at Berlinale, The Secret Drawer (Il cassetto segreto) finds director Costanza Quatriglio returning to her childho...
A yearly highlight of New York (or American) programming, the Museum of the Moving Image's First Look will return on March 13 with an opening-night screening o...
Jumper, Justin Anderson’s first short, opened on a naked man bathing in a pool. Conceived in 2014 for the tenth anniversary of British fashion designer Jonatha...
