In 1953, Alain Resnais, Chris Marker, and Ghislain Cloquet produced Statues Also Die, one of the fiercest and most lucid indictments of white imperialism ever ...
We don’t step evenly into Sons. Over the stretch of a long, grim elevator ride––face-to-face with Eva (Sidse Babett Knudsen), a middle-aged woman working as a ...
There’s a stretch of land in northwestern France that’s spent the past six decades fighting prospects of total annihilation. Plans to build a new international...
Hunter Schafer is a very good actress. This probably won't be news to anyone who watched even the first episode of Euphoria, where her aching vulnerability see...
Two things can be true at once. The old debate over whether Hong Sangsoo's cinema is overly earnest or self-aware was always a bit reductive––when the most lig...
The films of Canadian director Kazik Radwanski are freedom in its purest form, or the purest this particular medium can contain. Being the opposite of prescrip...
Playing his signature brand of rural French absurdity in stark counterpoint to the grandiose strains of a space opera, Bruno Dumont returns with The Empire: hi...
Tucked deep into Don DeLillo’s Underworld is an exchange between the novel’s protagonist, Nick Shay, and one of his teachers, a Jesuit priest. It concerns lang...
The memes won't let you forget, but 2019 was half a decade ago. That was also the year Olivier Assayas' Wasp Network––an odd return to the realm of his TV seri...
It’s safe to call Canadian artist and filmmaker Bruce LaBruce a Panorama mainstay; it’s been two decades and counting since Hustler White premiered in this Ber...
