In an era of marketing where most studios just drop a full-length trailer on YouTube and in theaters, hoping viewers will be impressed enough to buy tickets ev...
A lot of generic posters are hitting theater walls this month. That doesn't mean I still didn't almost put Argylle (February 2) below just because I ca...
It takes a very specific kind of brain trust to craft something as uniquely baffling as Argylle. If you've been to a multiplex in the last 7 or 8 months, you'v...
Shinya Tsukamoto’s Shadow of Fire begins as a troubling but measured film, but about a half-hour in something happens that shatters its quietude. Suddenly, a m...
You don’t need to have lived in the proverbial middle of nowhere to understand the kind of terror Alexandre Bustillo and Julien Maury’s The Soul Eater mines fr...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern ArtA massive run of Luis Buñuel's Mexican films begins; “To Save and Proje...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they ma...
The day after I finally got around to seeing 20 Days in Mariupol, the International Court of Justice ruled that there was sufficient basis to further investiga...
Marking her first film in six years, Sam Taylor-Johnson returns this year with Back to Black, a biopic depicting the life of the late Amy Winehouse. Led by Mar...