The Film Stage - Page 966

Review: A Comedic Romp Converges with a Bloody Depiction of Human Nature in ‘Bullitt County’

Repression is wild insofar as our minds pushing trauma down to the depths of our soul without a second thought. While guilt will ravage some to the point where ...

The Film Stage Show Ep. 316 – Apostle

We discuss the new Netflix Original film from writer/director Gareth Evans, Apostle, starring Dan Stevens....

‘Black Mother’ Trailer: Khalik Allah’s Poetic, Spiritual Exploration of Jamaica

One of the most powerful cinematic experiences I've had this year is with Khalik Allah's Black Mother, a poetic, spiritual exploration of Jamaica through th...

New to Streaming: ‘Madeline’s Madeline,’ ‘The Night Comes for Us,’ ‘Galveston,’ and More

All the newly streaming films of Netflix, Amazon, MUBI, and more....

NYC Weekend Watch: Shaw Brothers Horror, Shriek Show, Frederick Wiseman & More

The best films screening in NYC this weekend....

The Film Stage Show Ep. 315 – Bad Times at the El Royale

Bill Graham and I are joined by Dan Mecca—my mortal enemy—to discuss the new film from writer/director Drew Goddard....

The Film Stage Show Special Report – Chicago International Film Festival 2018 (Part 1)

We discuss the films we’ve seen thus far at CIFF–including Ash is Purest White, Transit, Non-Fiction, and more–and about the strange and rewarding experience of attending the festival....

The Films within Films of ‘The Other Side of The Wind’ and ‘La Flor’

At the 56th New York Film Festival there were titles that have intrigued, beguiled, and challenged viewers, perhaps none more so than Mariano Llinás’ fourteen-hour grand experiment and Orson Welles’ posthumously released film....

Review: ‘An Evening With Beverly Luff Linn’ is an Off-Kilter Hybrid Between David Lynch and ‘Napoleon Dynamite’

Writer-director Jim Hosking seems determined to entertain–and divide. From a segment in The ABCs of Death 2 to his feature debut The Greasy Strangler, it was ma...

Review: ‘Life and Nothing More’ Provides a Front Row Seat to Racial Injustice Sans Sensationalism

Many filmmakers find the need to politicize truths without realizing or believing their existence has already politicized them. There's power in this sort of ma...

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

Exclusive Trailer for 4K Restoration of Jae-young Kwak’s My Sassy Girl Reintroduces the South Korean Hit

James Baldwin Arrives In Paris In Trailer for Yashaddai Owens’ Jimmy, Opening This July

First Trailer for Robert Eggers’ Werwulf Unleashes the Devil Within

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

New to Streaming: Blue Heron, I Love Boosters, Tuner, The Sheep Detectives & More

The Best Films of 2026 (So Far)

NYC Weekend Watch: Elaine May, Guy Maddin, Vincente Minnelli, Law of Desire & More

Interviews

“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

“Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni

“There Are Always Fascists to Defeat”: John Waters on the Enduring Legacy of His Films and Never Getting Cancelled

Podcasts

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

Read More