The Film Stage - Page 891

Clint Eastwood Sets Sam Rockwell and ‘BlackKklansman’ Actor for ‘Richard Jewell’

Long-developing, now active in a major way, Richard Jewell is likely Clint Eastwood's next directorial project (and follow-up to absolute heater The Mule). ...

‘Men in Black: International’ Review: New Cast Offers Old Tricks With Some Twisty Updates

A million years (actually 22/23 years) ago, the world was given two Will Smith-starring, alien-fighting blockbusters within 364 days of one another. And though ...

The Best Films of 2019 (So Far)

2019 is nearing the halfway mark, so it's time to take a look back at the first six months and round up our favorite titles thus far....

BAMcinemaFest Review: ‘The Hottest August’ is an Expressive, Expansive Portrait of Summer in NYC

Where better than New York City to make a structuralist film? Cities are iterative, their street grids diagrams of theme and variation, and New York most of all...

Cannes Review: ‘Atlantics’ Captures the Migrant Crisis Through a Ghost Tale of Perturbing Beauty

Somewhere along the stretch of Senegalese coastline where Mati Diop’s feature-length directorial debut Atlantics takes place, a futuristic tower stands tall and...

Cannes Review: ‘Port Authority’ is a Quietly Radical, Deceptively Simple Romance

A deceptively simple romance doesn’t take away that there is something quietly radical at work in the New York love story Port Authority, set in the underground...

‘Rolling Thunder Revue’ Review: Martin Scorsese Playfully Returns to Bob Dylan’s World

Martin Scorsese has had a long, fruitful partnership with rock ’n’ roll as muse, subject, and accompaniment, and one thing at which he’s uniquely skilled is dra...

Anton Yelchin’s Enduring Legacy is Explored in the First Trailer for ‘Love, Antosha’

Anton Yelchin’s untimely death at the age of 27 almost three years ago shocked the world. From Chekov in the rebooted Star Trek franchise to his involvement...

Cannes Review: ‘Zombi Child’ is a Slow-Creeping Horror Satire

Bertrand Bonello’s last film, the terrorism-themed thriller Nocturama, hit headlines as it was released in the wake of Islamic State terror attacks in France. S...

Cannes Review: ‘Joan of Arc’ is Bruno Dumont’s Austere, Mystic Follow-up to ‘Jeannette’

When Jeannette world premiered in Cannes’ Directors’ Fortnight in 2017, Bruno Dumont’s acolytes were left grappling with a taxonomical head-scratcher. Lo and be...

News

John Sayles Sets Directing Return With I Passed This Way Starring Amy Madigan and Chris Cooper

KimStim Acquires Kiyoshi Kurosawa’s Serpent’s Path Remake for Summer Release

Nathan Silver Sets A Poet Remake as Next Feature

Trailers

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Nostalgia for the Future Exclusive Trailer: Charlotte Rampling Travels Through Chris Marker’s World in Cannes Premiere

Reviews

Obsession Review: A Nasty, Humorous Horror Breakout

Magic Hour Review: Katie Aselton and Daveed Diggs Work Through Complex Emotions

Silent Friend Review: Tony Leung Finds a Flora Connection

Features

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

New to Streaming: The Drama, Send Help, Exit 8, and André Is an Idiot

Our 20-Most Anticipated 2026 Cannes Film Festival Premieres

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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