Rohmer Summer has fed into Rohmer Fall: following sold-out screenings of The Green Ray and a shorts program, my screening series Amnesiascope has partnered aga...
While his work was recently seen worldwide (or least screened worldwide, even if the theaters were empty) with crafting the opening animated sequence of Joker:...
The best holiday movie of the season, Ham on Rye director Tyler Taormina expanded his star power with Christmas Eve in Miller's Point, which brings together Mi...
A premiere in the World Cinema Documentary section at Sundance earlier this year, Arun Bhattarai and Dorottya Zurbó's Agent of Happiness is quite an intriguing...
Following up his sci-fi trilogy World of Tomorrow, animation extraordinaire Don Hertzfeldt unveiled his latest project earlier this year. Beginning a few month...
Few titles at Cannes carried greater weight than The Seed of the Sacred Fig, Mohammad Rasoulof’s first project to debut since an exile from his native Iran––li...
“Leave the light on. It’s easier for me to dream.”
The opening shot of Việt and Nam, writer-director Trương Minh Quý’s sophomore film, is a feat of cinemati...
After screening his latest film Caught by the Tides at the Busan International Film Festival, director Jia Zhang-ke met with the press, accompanied by his wife...
Nickel Boys, RaMell Ross' narrative feature debut, is the story of a stubborn world, resisting change. Adapted from Colson Whitehead's The Nickel Boys, it's an...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern ArtAs the career-spanning Johnnie To retrospective continues, a Samuel L. ...