Following the sensation that was The Worst Person in the World, Danish-Norwegian director Joachim Trier returned to Cannes Film Festival with Sentimental Value...
Even more frighteningly relevant than when I first saw it at the New York Film Festival last fall, prior to the new wave of Trump-fronted fascism, Petra Costa’...
With the likes of First Man and Blade Runner 2049, Ryan Gosling is no stranger to the perils of space. Before he goes to a galaxy far, far away, he's set to re...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterIn the Mood for Love and its never-before-seen epilogue In the Mood f...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
When people call music cinematic, I think they just mean it sounds like it could be in a movie. About which, fair: being in a movie would do so. But the term i...
After recently earning acclaim for his wondrously transportive Il Buco (aka The Hole), one has the opportunity to see an early, newly restored feature from Ita...
Marking some early signs of a fall-movie season, the latest collaboration between Yorgos Lanthimos, Emma Stone, and Robbie Ryan's latest collaboration––two yea...
Note: This interview was originally published as part of our 2024 NYFF coverage. Afternoons of Solitude opens in theaters on June 27.
When J. Hoberman p...
Our generation's The Two Jakes? That's where the mind goes, but if David Fincher is (speaking creatively) something like the modern Polanski, I suspect Aaron S...