Following up Wendell & Wild, animation wizard Henry Selick is planning to return to the world of Neil Gaiman with an adaptation of The Ocean at the End of ...
Full transparency: I’ve been to Sunset Park’s Industry City. I walked around the shops and restaurants, ate lunch at the Japan Village market, and even attende...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Paris TheaterPrints of Salò, Make Way for Tomorrow, The Turin Horse, There Will Be Blood, T...
Premiering in the Un Certain Regard section at last year's Cannes Film Festival, Wei Shujun's stylish neo-noir Only the River Flows became one of the highest-g...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
An ambling father-daughter road trip through ‘90s Poland, Julia von Heinz’s Treasure is an odd hybrid. On one side it’s a meandering portrait of a father (Step...
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they ma...
After a relatively public first wave of production for Paul Thomas Anderson's next feature across California, things have recently been kicking back up after a...
Three Northern Irish rappers are portraying themselves in the new musical drama Kneecap, which screened at Sundance, SXSW, and Tribeca film festivals. The film...
Ten minutes speaking to two subjects with whom you could easily spend an hour each is somewhat like fighting with one arm behind your back. But having intervie...