With Claire Denis recently wrapping her next film, the star-studded Fire, it's an opportune time to catch up with her greatest––and perhaps most under-seen––wo...
With over one-hundred credits to his directorial resume, Takashi Miike is showing no signs of slowing down. After First Love made a bit of a splash, the prolif...
Nearly three decades since he departed this mortal coil, Federico Fellini will now be featured in a new film. Fear not, some sort of CGI recreation is not plan...
What if John Wick wasn't so brooding and his boogeyman was forced to live out his retirement in the real world rather than one filtered through an embellished ...
After naming it one of the best films we saw on the fall festival circuit over 18 months ago––when it premiered at the 2019 Toronto International Film Festival...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by David Rooney, Chief Film Criti...
Violet, Justine Bateman’s often sharp commentary on a certain side of the movie business, suggests what might have happened if the protagonist of Kitty Green’s...
In the midst of an awards season run playing a mother trying to save her daughter from drug addiction in Hillbilly Elegy, Glenn Close traversed similar territo...
One of several timely films offering a personal and global perspective on COVID-19, Hannah Olson’s medium-length documentary The Last Cruise is a stirring pers...
Cajun music’s most magical, unique aspect is how it creates joyous, raucous compositions from minimal instrumentation. Most Cajun bands consist, maybe, of a vi...