The Film Stage - Page 443

Garrett Bradley to Direct Sci-Fi Adaptation Parable of the Sower For A24

After directing the finest film of last year with the astounding, Oscar-nominated documentary Time, director Garrett Bradley is heading into entirely new terri...

The Film Stage Show Ep. 438 – Old (with Logan Kenny)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Logan Kenny to discuss M. Nigh...

First Trailer for Pedro Almodóvar’s Venice Opener Parallel Mothers

It's quite welcome that we're getting successive Pedro Almodóvar the past few years. After Pain & Glory and The Human Voice, his next feature, Madres Paral...

Lorelei Review: Jena Malone and Pablo Schreiber Seek Salvation in Emotional Drama

They had a plan. Wayland (Pablo Schreiber) would make as much money as he could running drugs for his local motorcycle club until he and high school sweetheart...

Venice Film Festival 2021 Lineup Includes New Films by Jane Campion, Paul Schrader, Ana Lily Amirpour & More

Taking place September 1 through 11, the Venice Film Festival has now unveiled its lineup, after a few teases of what it contains (the opening night selection ...

Paris, 13th District Review: Jacques Audiard Weaves a Zestful Yet Underwhelming Tapestry

There is no such thing as a typical Jacques Audiard film. Take his last three as examples: in 2012 he captured the trauma-induced romance between a wayfaring f...

Andrea Arnold on Capturing Cow, Bovine Beauty, and the Brutality of Nature

After a grueling experience with HBO's Big Little Lies, Andrea Arnold returns with her first film in five years. Positioned somewhere in the world of documenta...

Cannes Review: Queer Palm Winner The Divide is Heavy-Handed Look at Recent French History

Anybody who thinks writers who use subtext are cowards will find plenty to admire in The Divide. Taking place over the course of one night, Catherine Corsini's...

The Film Stage Show Ep. 437 – No Sudden Move (with Vikram Murthi)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Vikram Murthi to discuss Steve...

Cannes Review: A Chiara Enthrallingly Concludes Jonas Carpignano’s Calabrian Trilogy

Writer-director Jonas Carpignano completes his Calabrian trilogy with A Chiara, an enthralling drama about a teenage girl coming to terms with her family’s rol...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

NYC Weekend Watch: “Silent” Movies, Godzilla & More

17 Films to See in November

The Best Movies Now Playing in Theaters

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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