Biographical pictures and historical dramas can often go the way of cinematic hagiography, particularly when the subjects are involved in the project's develop...
One of the best writer-directors working today, Nicole Holofcener recently had a hand in big-budget filmmaking crafting The Last Duel with Matt Damon and Ben A...
If one is looking for their nunsploitation fix this December, a pair of acclaimed films should satisfy all holy cinematic urges. Paul Verhoeven's Benedetta, wh...
Scott Cooper is comfortable in the mud. The American director routinely finds himself in the confines of the lowdown and dirty, in gritty landscapes with worki...
I'm not entirely sure what the message is at the center of Lindsay Gossling's 13 Minutes. In fact, I'm pretty sure there isn't one. A line of text runs before ...
Denis Villeneuve's next film has been confirmed, and despite fans from all corners of the world clamoring for Enemy II, it will in fact be Dune: Part Two. Thou...
As longtime fans of Robert Greene we're delighted by the success of Procession, which was acquired by Netflix for an awards push this fall. His latest document...
While the reaction to David Lowery's The Green Knight has run the gamut here at The Film Stage, we can all agree on one thing: its use of visual effects is amo...
As 2021 mercifully winds down, the Criterion Channel have a (November) lineup that marks one of their most diverse selections in some time—films by the new mas...
Returning to the assassination of President John F. Kennedy thirty years after his narrative feature JFK, Oliver Stone's latest work is a documentary taking a ...