The Film Stage - Page 372

U.S. Trailer for The Girl and the Spider Brings One of 2022’s Best

More than a year since its Berlinale premiere is The Girl and the Spider coming to U.S. shores. Ramon and Silvan Zürcher's follow-up to The Strange Little Cat ...

Nationwide Theatrical Tour for Apichatpong Weerasethakul’s Memoria Announced

Apichatpong Weerasethakul’s long-awaited Memoria, starring Tilda Swinton, finally premiered at Cannes Film Festival last year to a rapturous response. Then, in...

7 Films to See at MoMI’s First Look 2022

Now in its 11th edition, the Museum of the Moving Image's First Look festival brings together a varied, eclectic lineup of cinema from all corners of the world...

All My Friends Hate Me Review: A Psyche Unravels in Pitch-Black Comedy

Pete (Tom Stourton) hasn't seen his university mates in years. Ten years to be exact. It happens. Life happens. We reach adulthood, mature, and set goals for o...

The Adam Project Review: The Netflix Algorithm Spews Out Hollow, Formless Sci-Fi Adventure

The Adam Project, the latest big-budget Netflix release you likely haven’t heard of until now, opens with a bit of text explaining that “Time travel exists. Yo...

Offseason Review: Mickey Keating Crafts an Effective Tale of Suspense and Uncertainty

When your dementia-riddled mother starts screaming about nightmares following her and demons crawling out from the water, it doesn't matter how lucid she appea...

First Trailer for Pleasure Takes an Odyssey Through the Adult Film Industry

Premiering at last year's Sundance Film Festival, Ninja Thyberg’s Pleasure––which follows an aspiring porn star's odyssey through the adult film industry in LA...

Anaïs in Love Trailer: Delight Cannes Selection Examines Modern Romance

One of the most delightful films I've seen thus far in this early year is Anaïs in Love, Charline Bourgeois-Tacquet's Cannes selection which was picked up by M...

The Seed Review: Cosmic Horror Comedy Leaves Much to Be Desired

Childhood friends Charlotte (Chelsea Edge), Heather (Sophie Vavasseur), and Deidre (Lucy Martin) never get to hang out anymore. Adulthood has a tendency of kee...

First Trailer for Richard Linklater’s Apollo 10 1/2: A Space Age Childhood Looks to the Stars

After quite a mid-aughts with Before Midnight, Boyhood, and Everybody Wants Some!!, Richard Linklater has continued at near the same clip, despite less of an e...

News

MUBI’s January 2025 Lineup Includes Close Your Eyes, Pepe, Luca Guadagnino, Charli XCX & More

The Criterion Channel’s January 2025 Lineup Features David Bowie, Nicole Kidman, Sean Baker & More

Brady Corbet Reveals First Details for Next Film, Inspired by Horror and Westerns

Trailers

The Game Is Out of Joint In Trailer for Grand Theft Hamlet

Gazer Trailer: Paranoia Thriller and Cannes Selection Arrives This February

Exclusive: ’90s Sundance Gem Girls Town Gets 4K Restoration, Trailer, and Theatrical Release

Reviews

Laceno D’Oro Review: Pastoral Hybrid Doc Savanna and the Mountain Confronts An Urgent Struggle with Humor and Charm

Laceno D’Oro Review: Bestiari, Erbari, Lapidari Entrancingly Explores the Histories of Science, Cinema, and War

Endless Summer Syndrome Review: An Incest Drama With Depth

Features

NYC Weekend Watch: Minority Report, Mr. Deeds, La Notte & More

Robyn Bahr’s Top 10 Films of 2024

New to Streaming: The Order, Between the Temples, Bird, Gladiator II, Nightbitch & More

Interviews

The Brutalist Cinematographer Lol Crawley on VistaVision, the 70mm Experience, and Brady Corbet’s Flexibility

Santosh Director Sandhya Suri on Quiet Characters, Economic Filmmaking, and Emotional Chess

Guy Pearce on the Egoism of The Brutalist and Why Brady Corbet’s Epic Earns Its Runtime

Podcasts

The B-Side – Al Pacino (with Mitchell Beaupre)

The B-Side – Jack Lemmon (with Mitchell Beaupre)

The Film Stage Show Bonus Ep. – Box Office Bonanza (July 21, 2000)

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