The Film Stage - Page 371

First Teaser for Nuri Bilge Ceylan’s About Dry Grasses Introduces an Epic Drama

Returning to Cannes Film Festival with his first film in five years, Turkish director Nuri Bilge Ceylan's About Dry Grasses is surprisingly not the longest fil...

Todd Haynes to Direct Joaquin Phoenix in Gay Drama; First Clip from May December Arrives

While there's a great deal to appreciate in Wonderstruck, Dark Waters, and The Velvet Underground, it's safe to say Todd Haynes has earned his most significant...

Exclusive Trailer for Hong Sung-eun’s Directorial Debut Aloners Captures Modern Life in Korea

A selection at the Toronto International Film Festival, Golden Horse Film Festival (where it won NETPAC Award, Best Asian Film), Torino Film Festival (where Go...

Cannes Review: Sean Price Williams’ The Sweet East is a Total Blast of a Debut

In The Sweet East, a high school senior take a journey through fame, exploitation, and Delaware. Working from a script co-written with the influential critic N...

Cannes Review: Martin Scorsese Triumphs with Killers of the Flower Moon

Wolves are not subtle creatures. It’s a rhetorical question: “Can you find the wolves in this picture?” Who couldn’t spot wolves among humans? They’re much sma...

Cannes Review: Jonathan Glazer’s The Zone of Interest is a Haunting Masterwork

In The Zone of Interest a commander, his wife, and their four children live a life of bucolic bliss. They picnic by the lake. They doddle by the pool. When he ...

Cannes Review: Pictures of Ghosts is a Memento Mori of Cinema for Kleber Mendonça Filho

If the death of cinema is imminent, at least Kleber Mendonça Filho can play it out with some vintage Tropicália. It’s becoming a nice leitmotif of the Brazilia...

Cannes Review: Indiana Jones and the Dial of Destiny Marks a Decent Send-Off for Harrison Ford

If you went to the movies in 1989 you might have heard Indiana Jones growl the line "it belongs in a museum." You'll hear him say it again in The Dial of Desti...

New Information on Quentin Tarantino’s The Movie Critic Arrives Courtesy Paul Schrader

Update: In Cannes to present––might this be a clue?!––Rolling Thunder, Tarantino told Deadline The Movie Critic "is based on a guy who really lived, but was ne...

Fast X Review: Louis Letterier Injects Big, Dumb Verve into Lumbering Series

Fast X is an incredibly dumb time at the movies. Not just in an F9 “they took a car to space” kind of dumb (there’s also plenty of that, which is fine), but in...

News

James Gray’s Paper Tiger Sets North American Premiere as Opening Night of the 64th New York Film Festival

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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