After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our...
With The Worst Person in the World, Joachim Trier completes his loose Oslo trilogy, a collection of films set in his childhood hometown focused, generally, on ...
Despite coming from one of international cinema’s foremost working filmmakers, Hirokazu Kore-eda’s 2009 film Air Doll had never seen a release in the U.S. Adap...
Adapting Lizzy Goodman's novel of the same name, Will Lovelace and Dylan Southern’s Meet Me in the Bathroom captures the essence of late-90s, early-2000s New Y...
The Chad-born, France-based Mahamat-Saleh Haroun debuted his latest drama, Lingui, The Sacred Bonds, in competition at the Cannes Film Festival last summer. A ...
Directors Jordan Tetewsky and Joshua Pikovsky are two of the hardest-working young artists in the U.S. Each of their three short films from 2021––the Jewish an...
A couple of studios rightfully got nervous about the increased COVID numbers over the holidays and moved their marquee titles away from the wintry mont...
One of the most visually striking dramas I've recently seen out of New Directors/New Films is Ivan Ostrochovsky's Servants, which initially made its debut at t...
Not only did Ryusuke Hamaguchi craft two of the greatest films of last year with Drive My Car and Wheel of Fortune and Fantasy, but the rising Japanese master ...
Update: See the first clips below.
Earlier last year it was announced Bertrand Bonello would be embarking on the ambitious sci-fi melodrama La Bête&nbs...