The Film Stage - Page 351

The B-Side – The Final Frame: Peter Bogdanovich (with James Kenney)

Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that the...

New to Streaming: The Godfather 4K, Jackass Forever, All My Friends Hate Me & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

NYC Weekend Watch: Alain Resnais, Romeo + Juliet, Naruse & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Metrograph Resnais, Demy, and Varda lead Left Bank Cinema; Metrograph A to Z continues w...

Panos Cosmatos Sets Sci-Fi Feature Nekrokosm with A24

One only gets word on a new Panos Cosmatos film so often—might as well appreciate it as it comes. Though the director, who we've admired since Beyond the Black...

The Lost City Review: Easy Breezy Adventure Rides on Charisma and Comedy

Without yelling at the clouds too loudly, let me just say: the theatrical experience is rough out there. There are still multiple screens dedicated to a certai...

U.S. Trailer for The Tale of King Crab Introduces a Transportive, Transfixing Odyssey

One of the most transportive, transfixing discoveries of last year's festival circuit was the Cannes and NYFF selection The Tale of King Crab. Coming from Ital...

SXSW Review: Soft & Quiet is a Provocative, Timely American Nightmare

Warning: Some spoilers ahead. Told in real-time across one (seemingly) unbroken shot, Beth de Araújo’s Soft & Quiet is perhaps the most provocative film...

Andrew Dominik’s Blonde Officially Gets NC-17 Rating, Trailer Arrives For His New Nick Cave & Warren Ellis Doc

Shot back in 2019, it's been a long wait for Andrew Dominik's Marilyn Monroe drama Blonde to see the light of day, but it looks like 2022 is finally the year. ...

The Film Stage Show Ep. 466 – The Worst Person in the World (with Carlos Aguilar)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham are joined by Carlos Aguilar to discuss Joac...

Infinite Storm Review: Naomi Watts Can’t Save a Lackluster Survival Thriller

There's a beautiful tale of grief and rebirth at the center of Malgorzata Szumowska's Infinite Storm. The only reason Pam Bales (Naomi Watts) hiked up Mt. Wash...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

NYC Weekend Watch: “Silent” Movies, Godzilla & More

17 Films to See in November

The Best Movies Now Playing in Theaters

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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