The Film Stage - Page 351

TDF Review: How to Survive a Pandemic Examines the Greatest Global Medical Achievement in History

Two years on from Welcome to Chechnya, David France returns with another rip-roaring take on urgent real-world events with How To Survive A Pandemic, an on-the...

CODA Leads 2022 Oscar Winners

See the full list of winners of this year's Academy Awards below. Best PictureBelfastCODADon't Look UpDrive My CarDuneKing RichardLicorice PizzaNightmare Al...

The Criterion Channel’s April Lineup Includes Wheel of Fortune and Fantasy, Delphine Seyrig, Ethan Hawke & More

No two ways about it: April's a great month for the Criterion Channel, which (among other things; more in a second) adds two recent favorites. We're thrilled a...

Zhang Yimou to Direct Cliff Walkers 2

Working at an immensely steady clip in the last few years, Zhang Yimou is setting his sights on the first sequel amongst his vast career. Following the impress...

The B-Side – The Final Frame: Peter Bogdanovich (with James Kenney)

Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that the...

New to Streaming: The Godfather 4K, Jackass Forever, All My Friends Hate Me & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

NYC Weekend Watch: Alain Resnais, Romeo + Juliet, Naruse & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Metrograph Resnais, Demy, and Varda lead Left Bank Cinema; Metrograph A to Z continues w...

Panos Cosmatos Sets Sci-Fi Feature Nekrokosm with A24

One only gets word on a new Panos Cosmatos film so often—might as well appreciate it as it comes. Though the director, who we've admired since Beyond the Black...

The Lost City Review: Easy Breezy Adventure Rides on Charisma and Comedy

Without yelling at the clouds too loudly, let me just say: the theatrical experience is rough out there. There are still multiple screens dedicated to a certai...

U.S. Trailer for The Tale of King Crab Introduces a Transportive, Transfixing Odyssey

One of the most transportive, transfixing discoveries of last year's festival circuit was the Cannes and NYFF selection The Tale of King Crab. Coming from Ital...

News

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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