The Film Stage - Page 348

SXSW Review: Seriously Red is a Hilarious Yet Predicable Comedy Following a Dolly Parton Impersonator

Dolly Parton was everywhere at SXSW, from her documentary Still Working 9-5 to her collaboration with Blockchain Creative Labs which involved both a well-recei...

SXSW Review: Look at Me: XXXTentacion is a Kaleidoscopic Peek Behind the Lyrics

An authorized but often unflattering portrait of rapper Jahesh Dwayne Ricardo Onfroy, known as XXXTentacion, Look at Me is a comprehensive study of his career,...

Experience a Cinematic Fever Dream in Exclusive Trailer for Camilo Restrepo’s Los Conductos

Premiering in a pre-pandemic world, Camilo Restrepo's Los Conductos was a highlight at the 2020 Berlin Film Festival, where it won the Best First Feature Prize...

Ethan Coen Flies Solo with Next Directorial Feature, Shooting this Summer

After a nothing less than extraordinary few decades, it's looking increasingly likely that 2018's The Ballad of Buster Scruggs will be the last Ethan and Joel ...

Justin Kurzel on Nitram, Gun Culture, Creative Partnerships, and Step Brothers

Controversy is no stranger to Justin Kurzel. His 2011 debut Snowtown, an impressionist true-crime drama of harrowing power, dramatized Australia’s most notorio...

Posterized April 2022: Hit the Road, Vortex, Petite Maman & More

The first five Friday month of 2022 has arrived and studios are bringing their heavy hitters like Morbius (wide, April 1), Sonic the Hedgehog 2 (wide, ...

NYC Weekend Watch: Squirrels to the Nuts, Robert Siodmak, Buster Keaton & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of Modern Art Peter Bogdanovich's very funny, never-before-seen Squirrels to the ...

New to Streaming: Apollo 10 ½, Beyond Blaxploitation, Nitram, and More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

Kathryn Bigelow Sets Return to Directing with Netflix Thriller Aurora

It's been half a decade since the release of a new Kathryn Bigelow film, but now thankfully it looks like we won't have to wait much longer. Following 2017's D...

The Bubble Review: A Movie About Making a Movie That Barely Feels Like a Movie

Two years into the pandemic, filmmakers will either ignore our current reality entirely, subtly weave it in (such as the latest from Ryusuke Hamaguchi and Joac...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

NYC Weekend Watch: “Silent” Movies, Godzilla & More

17 Films to See in November

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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