The Film Stage - Page 306

The Film Stage Show Ep. 520 – The Killer (with Noah Gittell)

Welcome to a new episode of The Film Stage Show! On a new episode, Brian Roan and Robyn Bahr are joined by special guest Noah Gittell to discuss David Fincher'...

Hirokazu Kore-eda on Why Monster is Not Like Rashomon, Queer Storytelling, and Ryuichi Sakamoto

Returning to Japan for the first time since his Palme d'Or-winning Shoplifters - after venturing to France and South Korea - Hirokazu Kore-eda's Monster was in...

First Look at Robert Eggers’ Nosferatu Brings Murnau to the Modern Age

Update: Nosferatu will open on December 25, 2024. After his biggest project yet with The Northman, Robert Eggers jumped quickly into his long-developing pas...

Film Fest Knox Introduces New Ways of Seeing in Inaugural Edition

We are less than a year removed from Robert Redford’s provocative declaration, at the 2023 Sundance Film Festival’s opening presser, that “there are too many f...

Thessaloniki Review: Camping du Lac is a Bewitching Ode to Stories and Storytellers

A film enamored with stories and with the art of telling them, Éléonore Saintagnan’s Camping du Lac opens with the director addressing the audience the way a r...

U.S. Trailer for Germany’s Oscar Entry The Teachers’ Lounge

While it's difficult to imagine there will be a better German film––or film, period––this year than Christian Petzold's Afire, the country went with Ilker Çata...

Frederick Wiseman on the Artistry of Cooking and Creating Echoes of His Work

Frederick Wiseman’s new film, Menus-Plaisirs Les Troisgros, a four-hour documentary on the Troisgros family and their three restaurants located in central Fran...

The Film Stage’s 2023 Holiday Gift Guide

The holidays are upon us, so whether you looking for film-related gifts or simply want to pick up some of the finest the year had to offer in the category for ...

Christopher Blauvelt on May December, Formatting for Netflix and 35mm, and Life Lessons from Harris Savides

Many cinematographers wouldn't want to be mistaken with someone else, but Christopher Blauvelt was exceedingly unbothered when I revealed May December initiall...

New to Streaming: Queens of the Qing Dynasty, Albert Brooks, The Creator, Good Time & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

News

James Gray’s Paper Tiger Sets North American Premiere as Opening Night of the 64th New York Film Festival

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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