The Film Stage - Page 292

Renate Reinsve and Anders Danielsen Lie Reteam for Handling the Undead

After a very brief acting debut in Oslo, August 31st, Renate Reinsve reteamed with Anders Danielsen Lie and Joachim Trier for The Worst Person in the World, pi...

First Trailer for Lukas Dhont’s Cannes Winner Close Captures a Fractured Friendship

Although a theatrical release date has not yet been set for Lukas Dhont's second feature Close, A24 is capitalizing off the Telluride premiere of the Grand Pri...

Ondi Timoner Turns the Lens on Her Family in First Trailer for Last Flight Home

A selection at Sundance Film Festival, Telluride Film Festival, and London Film Festival, Ondi Timoner's latest documentary Last Flight Home takes a personal l...

Watch Martin Scorsese’s Venice 2022 Tribute to Paul Schrader: “His Career is a Beacon of Personal Expression”

Although they haven't worked together since 1999’s Bringing Out the Dead, the Taxi Driver and Raging Bull team of Martin Scorsese and Paul Schrader announced n...

Venice Review: The Banshees of Inisherin Finds Humor and Meaning in the Mundane

“When push comes to shove, we will always return to good chats,” Colin Farrell said at a press conference before the premiere of The Banshees of Inisherin. He’...

Abderrahmane Sissako Will Begin Shooting The Perfumed Hill This Month

At long last, after years of development, Abderrahmane Sissako is set to embark on his first feature since 2014's Timbuktu. The Mauritanian-born Malian directo...

Venice Review: All the Beauty and the Bloodshed is an Empowering Chronicle of Activism

More than her urgently and perceptively topical subject matter, American documentarian Laura Poitras has a habit, and penchant, not solely for making work abou...

First Look at Steven Spielberg’s The Fabelmans Arrives, Along with More Plot Details

Although relatively shrouded in secrecy since its production last year, with a premiere just a few days away, we're now getting a few more details on Steven Sp...

Venice Review: Walter Hill’s Dead for a Dollar is a Sincere, Modest Western

What room is left for an honest gunslinger in a world where their tropes are repackaged ad infinitum? Have meticulous imitators like Red Dead Redemption actual...

Venice Review: Kôji Fukada Excels with Knotty, Engrossing Love Life

Love Life is one of those films that really wears its screenplay. The plot follows a mother's attempts to come to terms with the death of a child, but it's mor...

News

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Trailers

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Reviews

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Paddington in Peru Review: Threequel Fails to Climb to Franchise Heights

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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