A Dirty Shame is not only the title of John Waters' most recent feature, but also the general feeling when considering the Baltimore-born director hasn't helme...
The words "Bressonian joy" are rarely deployed, but from Cannes onward we've heard almost exclusively great things about Jerzy Skolimowski’s Eo, a Balthazar sp...
A true Tindersticks fan will only welcome whatever's next, but even by such open-armed standards was I dazzled by their soundtrack for Stars at Noon, the (give...
Jennifer Lawrence's sole outing this year is Causeway, which comes from first-time director Lila Neugebauer. The A24 and Apple TV+ production, which premiered ...
While Rita Baghdadi's documentary Sirens centers upon the first all-female thrash metal band from the Middle East, it's not really about the band. We follow th...
In 2016, documentary filmmaker Alice Diop (We) felt compelled to attend the trial of Fabienne Kabou, a Senegalese mother accused of infanticide. Pregnant at th...
As we get deeper into the fall movie season, October—per usual—delivers some of the most essential films of the year. As much of the cinema-related excitement ...
It's finally happening. After developing the project for decades, Francis Ford Coppola is embarking on his epic drama Megalopolis this fall in Georgia. With a ...
We are now less than a month away from the latest project from Quentin Tarantino. Following up his expanded novelization of Once Upon a Time in Hollywood, the ...
Life is about handling contradictions. And they all demand that we choose between compromising, conceding, or refusing to back down—whether it's opposite a fam...