In the tradition of Okja and Hail, Caesar!, writer-producer-director Joanna Hogg has gifted the world with two Tildas (Swinton, that is) in one film. Just shy ...
There are many films that start with a bang and many that climax at the end. There are fewer that wow with a deliberately calibrated, orgiastic halfway mark. T...
Rima Das is one of this century's most remarkable indie-filmmaker stories from India. Essentially a one-woman crew, she released her debut feature Village Rock...
Ruben Östlund has always maintained a fearlessness in his work. 2011’s Play depicted a group of Swedish-Somali boys who rob white kids by preying on their disc...
Film Forum
Isabelle Huppert, our (give or take) greatest living actress, is celebrated in a retrospective that includes films by Pialat, Chabrol, and more, ...
As I work my way through Michael Mann's Heat 2 (in deliciously gruff audiobook form), it's a great time to be a fan of the director. Following Tokyo Vice earli...
As we work into the second week of the New York Film Festival, the theatrical shift towards awards-season fare officially begins at your local multiple...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Renowned horror author and filmmaker Clive Barker has oft remarked about his directorial debut, Hellraiser, that he had virtually no idea what he was doing whi...
Premiering at the Venice Film Festival and then stopping by the New York Film Festival, many thought Paul Schrader's Master Gardener––following Joel Edgerton's...