The Film Stage - Page 275

TIFF Review: Tora’s Husband is a Meandering Third Feature from Rima Das

Rima Das is one of this century's most remarkable indie-filmmaker stories from India. Essentially a one-woman crew, she released her debut feature Village Rock...

Ruben Östlund on Sexuality as Currency, #MeToo, and the YouTube Inspirations for Triangle of Sadness

Ruben Östlund has always maintained a fearlessness in his work. 2011’s Play depicted a group of Swedish-Somali boys who rob white kids by preying on their disc...

NYC Weekend Watch: Isabelle Huppert, NYFF Revivals, The Addiction & More

Film Forum Isabelle Huppert, our (give or take) greatest living actress, is celebrated in a retrospective that includes films by Pialat, Chabrol, and more, ...

First Look at Adam Driver in Michael Mann’s Ferrari

As I work my way through Michael Mann's Heat 2 (in deliciously gruff audiobook form), it's a great time to be a fan of the director. Following Tokyo Vice earli...

Posterized October 2022: Decision to Leave, TÁR, Holy Spider & More

As we work into the second week of the New York Film Festival, the theatrical shift towards awards-season fare officially begins at your local multiple...

New to Streaming: ’80s Horror, Mathieu Amalric, Free Chol Soo Lee, God’s Country & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Hellraiser Review: Tired Reboot Reeks of Unfulfilled Potential

Renowned horror author and filmmaker Clive Barker has oft remarked about his directorial debut, Hellraiser, that he had virtually no idea what he was doing whi...

Paul Schrader Will Form a Tetralogy With His Next Film, Following a Nurse in Puerto Rico

Premiering at the Venice Film Festival and then stopping by the New York Film Festival, many thought Paul Schrader's Master Gardener––following Joel Edgerton's...

John Waters to Direct First Film in Two Decades

A Dirty Shame is not only the title of John Waters' most recent feature, but also the general feeling when considering the Baltimore-born director hasn't helme...

Jerzy Skolimowski’s Celebrated Eo Gets U.S. Trailer

The words "Bressonian joy" are rarely deployed, but from Cannes onward we've heard almost exclusively great things about Jerzy Skolimowski’s Eo, a Balthazar sp...

News

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Yokohama BJ Blues Makes U.S. Theatrical Premiere on November 11 from Amnesiascope

Trailers

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Raoul Peck Investigates a Photographer Pioneer in First Trailer for Ernest Cole: Lost and Found

Reviews

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

AFI Fest Review: My Favourite Cake Finds an Autumnal Romance Blooming Under Iranian Authoritarianism

NYFF Review: On Becoming a Guinea Fowl is a Powerfully Enraging, Surreally Comedic Look at Zambian Tradition

Features

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

New to Streaming: Trap, One False Move, Rap World, Daaaaaalí!, The Remarkable Life of Ibelin & More

NYC Weekend Watch: Shadows of Forgotten Ancestors, Candy Mountain, Chantal Akerman, Azazel Jacobs & More

Interviews

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

“100 Clichés Move Us”: Rumours Directors Guy Maddin, Evan Johnson & Galen Johnson on Finding Humor in a World in Crisis

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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