The Film Stage - Page 270

Skinamarink Director Kyle Edward Ball on Finding Terror in the Experimental and YouTube’s Avant-Garde Revolution

For five years, Canadian filmmaker Kyle Edward Ball’s YouTube channel “Bite-Sized Nightmares” has been showcasing shorts full of fuzzy video, distorted sound, ...

New to Streaming: Maya, 2nd Chance, Sick, Devotion & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

John Fink’s Top 10 Films of 2022

Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. Perh...

Are You There God? It’s Me, Margaret Trailer: The Edge of Seventeen Director Kelly Fremon Craig Adapts Judy Blume

After crafting not only one of the best coming-of-age films of recent years but directorial debuts as well with The Edge of Seventeen, director Kelly Fremon Cr...

NYC Weekend Watch: To Save and Project, Daddy Longlegs, Fred Ward & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of Modern ArtAlways a highlight of the repertory year, To Save and Project highlight...

Exclusive Trailer for The Blind Man Who Did Not Want to See Titanic Follows an Impaired Movie Lover’s Suspenseful Adventure

A week before James Cameron's 1997 box-office behemoth returns to theaters, we'll see the release of an acclaimed festival favorite in which his Best Picture w...

News

Frank Ocean Has Begun Shooting His Directorial Debut

M. Night Shyamalan Sets Jake Gyllenhaal-Led Romantic Thriller as Next Feature

Johnnie To Will Direct Tony Leung in Gangster Feature Eyeing 2027 Release

Trailers

Compensation Trailer: Zeinabu irene Davis’ Newly Restored Independent Cinema Landmark Arrives This February

Jonathan Majors Goes Psychotic in First Trailer for Magazine Dreams

First Trailer for Andrew Ahn’s The Wedding Banquet Updates an Ang Lee Classic

Reviews

Sundance Review: Predators Examines the Moral Complexities of a Hit Reality Show

Sundance Review: Eva Victor’s Debut Sorry, Baby is a Singular Revelation

Sundance Review: Train Dreams Captures a Small Life on a Big Scale

Features

New to Streaming: Sundance 2025, Sing Sing, Babygirl, Den of Thieves 2: Pantera & More

The Best Movies Now Playing in Theaters

New to Streaming: Nosferatu, Oh, Canada, The Girl with the Needle & More

Interviews

Jonathan Rosenbaum on Selling His DVD Collection, Championing Raúl Ruiz, and the Role of a Critic

The Brutalist Composer Daniel Blumberg on the Ambitious, Intensive Process of Scoring Brady Corbet’s Epic

Mike Leigh on Hard Truths, Losing Dick Pope, and the Duty of an Artist

Podcasts

The B-Side – Queen Latifah (with KT)

The B-Side – In Conversation with Julia Stiles on Her Directorial Debut Wish You Were Here

The B-Side – Al Pacino (with Mitchell Beaupre)

Read More

Skinamarink Director Kyle Edward Ball on Finding Terror in the Experimental and YouTube’s Avant-Garde Revolution

New to Streaming: Maya, 2nd Chance, Sick, Devotion & More

John Fink’s Top 10 Films of 2022

Are You There God? It’s Me, Margaret Trailer: The Edge of Seventeen Director Kelly Fremon Craig Adapts Judy Blume

NYC Weekend Watch: To Save and Project, Daddy Longlegs, Fred Ward & More

Exclusive Trailer for The Blind Man Who Did Not Want to See Titanic Follows an Impaired Movie Lover’s Suspenseful Adventure

Skinamarink Review: Impressionistic Indie Spooker Seeks Nostalgia, Finds Monotony

Nick Newman’s Top 10 Films of 2022

A Man Called Otto Review: Tom Hanks Leads a Remake with a Shallow, Small Heart

Jena Malone Uncovers Sins of the Church in First Trailer for Christopher Smith’s Consecration