It’s a terrible, horrible, no good, very bad day for Steve (Cillian Murphy). As the headmaster at Stanton Wood, a boarding school for troubled young men, he sh...
Coming-of-age tales are a genre with little recent innovation. Yet Singaporean-American filmmaker Siyou Tan finds remarkable specificity and novelty in her Sin...
And like that, Criterion's 2025 is in the books. A sterling year closes out with Tim Burton's inauguration into their hallowed halls (and maybe through the mos...
We're pleased to exclusively announce that KimStim has acquired all North American rights to Timestamp, the highly acclaimed documentary feature from Ukrainian...
At barely two years old, Harmony Korine’s “post-cinema” company EDGLRD is already branching out. After directing AGGRO DR1FT and Baby Invasion, Korine take...
My friend (and Film Stage Managing Editor) Nick Newman likes the term “counterfeit money” to describe certain movies. Be it The Batman or Ben Affleck's oeuvre,...
After finally unveiling One Battle After Another last week with a Steven Spielberg-anointed screening and conversation, the early praise for Paul Thomas Anders...
The past rears its not-so-ugly head in Two Pianos, Arnaud Desplechin’s latest film exploring the ways gorgeous people make an even bigger mess out of the m...
You can’t accuse John Early of not committing. Through the majority of his acting career, the comedian has become a reliable avatar for a palpable, toxic, ...
A key collaboration between modern China's most significant actress and director, Zhang Yimou's Gong Li-starrer Ju Dou has been restored and will receive a 35t...