Before his latest feature Broker even arrives stateside, we have an update on the next film from Japanese director Hirokazu Kore-eda. After heading elsewhere i...
There’s a rhythm to The Inspection, written and directed by Elegance Bratton, that holds the viewer’s attention from minute one. A bristling opening quickly ca...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Although Causeway opens in an unassuming manner, from the get-go it tells us there’s much more than meets the eye. Initially, we see the back of Lynsey’s (Jenn...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
One of the most exciting series of 2022 is a study of the Taiwanese New Wave ...
Steven Spielberg is clearly feeling nostalgic. Following the stellar one-two punch of his West Side Story remake and looking back once more for his autobiograp...
After making one of the most striking debuts of the last few years with his black-and-white Bait, shot on a hand-cranked Bolex camera and 16mm, Mark Jenkin ret...
On tour across high-profile fall festivals since its premiere at Venice in early September, Luca Guadagnino’s teen cannibal romance Bones and All lands in thea...
In terms of the sheer range of directors he has worked with, there may be no more impressive a career than that of Willem Dafoe. In between his recent collabor...
Has any cinematographer had so fast an ascendancy as Erik Messerschmidt? While no newcomer—his IMDb dates back to 2001, his first cinematography credit fr...