The Film Stage - Page 251

Carrie, Titicut Follies, Tongues Untied, Pariah & More Added to National Film Registry

Since 1989, the National Film Registry of the Library of Congress has been accomplishing the important task of preserving films that “represent important cultu...

Avatar: The Way of Water Review: James Cameron’s Sequel is a Misbegotten Pleasure

“Wow, this is uncomfortable” was my first thought watching Avatar: The Way of Water. James Cameron’s sequel—so long-rumored, delayed, confirmed, delayed, discu...

The Film Stage Show Classic – Titanic (with Laura Berger)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Laura Berger for a special Cla...

The Black List’s 2022 List of Best Unproduced Screenplays

Rounding up the best unproduced screenplays in Hollywood, as voted on by hundreds of film executives, The Black List has been a strong resource to clue one in ...

First Poster for Ari Aster’s Beau Is Afraid Starring Joaquin Phoenix

After the one-two horror punch of Hereditary and Midsommar in 2018 and 2019, respectively, Ari Aster has taken a bit longer to craft his third feature. Now fin...

Hayao Miyazaki’s How Do You Live? Set for Summer 2023 Release

2023 just got quite a bit better. After recent news that legendary director Hayao Miyazaki was putting the finishing touches on his first film in a decade, fol...

U.S. Trailer for Carla Simón’s Alcarràs, Berlinale Golden Bear Winner and Spain’s Oscar Entry

It's not often the year in cinema kicks off with one of the most acclaimed films of recent memory, but that will be the case in 2023. Carla Simón impressed us ...

Thessaloniki Review: Blitz Sci-Fi Film Lola Packs Schmaltz and Ambition

Andrew Legge's Lola, a faux found footage film that plays with historical and science fiction, gives weight to an emerging idea: could this be the best year fo...

Watch Steven Spielberg Talk to Martin Scorsese About How David Lynch Became John Ford

How's that for a headline? Considering it's been out for a month, if you've wanted to see Steven Spielberg's stellar autobiographical drama The Fabelmans, you'...

Emancipation Review: Will Smith Leads a Misguided and Fruitless Slavery Epic

“They don’t make the Gladiator/Braveheart-type movies anymore” is the kind of complaint you'll hear when talking about the state of popular cinema, specificall...

News

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Yokohama BJ Blues Makes U.S. Theatrical Premiere on November 11 from Amnesiascope

Trailers

First Trailer for Luca Guadagnino’s Queer Follows Daniel Craig Searching for a High

Ride a Dreamlike Musical Carousel in Exclusive Trailer for Signe Birkova’s Lotus, Partly Shot on a 1920s Camera

Raoul Peck Investigates a Photographer Pioneer in First Trailer for Ernest Cole: Lost and Found

Reviews

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

AFI Fest Review: My Favourite Cake Finds an Autumnal Romance Blooming Under Iranian Authoritarianism

NYFF Review: On Becoming a Guinea Fowl is a Powerfully Enraging, Surreally Comedic Look at Zambian Tradition

Features

Tony Leung, Johnnie To, and Chiara Mastroianni Talk Cinema’s Future as the 2024 Tokyo International Film Festival Begins

New to Streaming: Trap, One False Move, Rap World, Daaaaaalí!, The Remarkable Life of Ibelin & More

NYC Weekend Watch: Shadows of Forgotten Ancestors, Candy Mountain, Chantal Akerman, Azazel Jacobs & More

Interviews

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

“100 Clichés Move Us”: Rumours Directors Guy Maddin, Evan Johnson & Galen Johnson on Finding Humor in a World in Crisis

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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