The Film Stage - Page 214

SXSW Review: Penny Lane Turns the Camera on Herself in Confessions of a Good Samaritan

Investigating the nature of altruism, director Penny Lane turns the camera on herself in Confessions of a Good Samaritan, showing her process as an organ donor...

The B-Side – Erotic Thrillers (with Karina Longworth)

Welcome to The B-Side, from The Film Stage. Here we usually talk about movie stars and not the movies that made them famous or kept them famous, but the ones t...

New to Streaming: All the Beauty and the Bloodshed, Hannah Ha Ha, Operation Fortune: Ruse de Guerre & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

The Film Stage Show 500th Episode Musical Extravaganza

Welcome, one and all, to a very special episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr celebrate 500 episodes of the podcast by...

The Human Body Comes Alive In U.S. Trailer for De Humani Corporis Fabrica

There are very, very few filmmakers who've rethought and shaken possibilities for the moving image as much as Harvard's Sensory Ethnography Lab, whose résumé––...

NYC Weekend Watch: Tokyo Story on 35mm, Bob Fosse, Luis Buñuel & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of the Moving ImageTokyo Story plays on 35mm this Friday and Sunday. Film ForumBo...

New Trailer for Hideaki Anno’s Shin Kamen Rider Brings Superhero Spectacle

Delivering one of the best monster movies of the past decade, Hideaki Anno's 2016 Shin Godzilla outpaced any of Hollywood's output with the creature as of late...

The Worst Ones Review: French Filmmaking Satire Questions its Own Approach to Casting

Winner of the Un Certain Regard at last year’s Cannes Film Festival, Lise Akoka and Romane Gueret’s The Worst Ones arrives in the U.S. with a certain amount of...

MUBI Unveils April 2023 Lineup

MUBI has announced its lineup of streaming offerings for next month, including David Easteal's The Plains (one of the best films we saw on the festival circuit...

Jean-Pierre and Luc Dardenne on Tori and Lokita, Moral Indignation, and Cannabis Farms

To cinéastes fixated on tabulating statistics like sports fanatics, the Dardennes often come up as examples of unerring consistency, like a player with an impe...

News

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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