Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that the...
Few movies this year loom like Ferrari, the long-awaited and much-delayed return of Michael Mann. Ahead of its Venice premiere, New York Film Festival showing,...
While her directorial debut Ithaca arrived nearly a decade ago with not too much fanfare, Meg Ryan is back this fall in a genre she knows well. The rom-com Wha...
The arrival of a fresh, new voice on the indie filmmaking scene is always an exciting event and the latest debut on our radar is that from Chelsea Bo, producer...
Vote of confidence, strike-related shakes, or some combination thereof? Whatever the case, us coastal elites have to wait two extra weeks for Martin Scorsese's...
Following his black-and-white passion project Mank, David Fincher returns to the world of vibrant, slick thrillers with The Killer. An adaptation of Alexis Nol...
What do films like David Cronenberg's Crash, Jonathan Glazer's Sexy Beast, Jerzy Skolimowski's Sexy Beast, Jerzy Skolimowski's EO, Jim Jarmusch's Only Lovers L...
Set for a PBS world premiere on September 18, Rodrigo Dorfman’s new documentary Bulls and Sants is a richly captured portrait of a migrant family’s life in the...
After highlighting 40 titles confirmed to hit theaters this fall, we now turn our attention to the festival-bound films either without distribution or a c...
Bringing two projects to Toronto International Film Festival (and likely would've been a trio if a certain film didn't get delayed), Colman Domingo is poised f...