Following his Guy Maddin-influenced debut The Twentieth Century, Matthew Rankin has returned five years later with his follow-up. Universal Language, which pre...
Following their intial announcements, the 62nd New York Film Festival has now unveiled its final film section: Revivals, featuring significant works from renow...
Over a close-up of a turtle, ominous sound design builds at such a deep frequency that the walls of a press-screening room in Beverly Hills began rattling. Onc...
A world premiere at DOC NYC and selection at Thessaloniki International Documentary Festival and many more festivals, Emily Packer's Holding Back the Tide take...
At long last, we are only about a month away from the release of Francis Ford Coppola’s Megalopolis, set to arrive in North America from Lionsgate Studios...
After sold-out showings of Godard and Rohmer (plus, well, Rohmer) my screening series Amnesiascope closes out this summer with a personal 2020s favorite that s...
After making his feature writing debut with Brigsby Bear, Kyle Mooney has now made his directorial debut with Y2K, a disaster comedy which brings together Rach...
We're now just a short time away from the world premiere of Pedro Almodóvar's first English-language feature at Venice Film Festival. The Room Next Door, starr...
Emerging from a long haze, Bahrām Beyzaie’s The Stranger and the Fog caught the right people's eye when it appeared at last year's New York Film Festival ...
Cheap Thrills and Small Crimes director E.L. Katz director returned earlier this year, premiering his new action-horror feature Azrael, scripted by Simon Barre...