In a rare feat, Kristoffer Borgli premiered his second U.S. release of the year after the jet-black Norwegian comedy Sick of Myself. Teaming him with Nico...
Legend has it Renate Reinsve's still running with a joyful expression, but Joachim Trier is soon bringing her back into the fold: with regular co-writer Eskil ...
And with that, Criterion's year closes out. They've ended 2023 with a small set of additions, on the 4K front rescuing Guillermo del Toro and Mark Gustafson's ...
“We are here to become human again.” This is the mantra of the Rehabilitation Through the Arts program, founded in Sing Sing Correctional Facility, a prison ju...
The idyllic dream of leftist commune living, where resources and skills are shared for the greater good, needs a key ingredient to work: people. Two decades af...
After his 2012 film A Royal Affair received an Oscar nomination for Best Foreign Language Film, Danish writer-director Nikolaj Arcel did what probably seemed l...
A Haunting in Venice is both the best Kenneth Branagh film and the best Agatha Christie adaptation in decades. Adapted from the famed mystery writer's 1969 nov...
To celebrate the release of Mark Cousins' new documentary The Storms of Jeremy Thomas, a portrait of the Oscar-winning producer responsible for bringing to lif...
The first thing we learn at the start of Thomas Napper's Widow Clicquot is that Barbe-Nicole Ponsardin Clicquot (Haley Bennett) loved her husband François (Tom...
When it seems that every Indian or Pakistani romance coming down the pike centers on the traditional patriarchal values of arranged marriages and dowry (even w...