A selection at Cannes Film Festival's Directors' Fortnight sidebar, Erige Sehiri's drama Under the Fig Trees would go on to be selected as Tunisia's Oscar entr...
Following up The Nest, writer-director Sean Durkin is back with The Iron Claw, an A24 drama which captures the story of Kevin Von Erich and his wrestling dynas...
There's a moment in the middle of Bill Oliver's Our Son where Nicky (Luke Evans) explains to his father (Michael Countryman) that he's going to court with his ...
After the immense back-to-back reception of Before Midnight and Boyhood, Ricard Linklater hasn't been stuck in a creative rut per se, with highlights such as E...
Following his Golden Bear winner Bad Luck Banging or Loony Porn, Romanian writer-director Radu Jude wowed critics again with the satire Do Not Expect Too Much ...
Update: A new interview wherein Denis discusses her Tindersticks collaborations has been released. Find it and the original story below.
It’s less the quest...
Like other Hong Sang-soo films, In Our Day passes, on the surface, for simple fare. The prolific South Korean director layers weighty themes amidst naturalisti...
It is time to stop labeling moths as villains. Moths received an unfortunate, terrible rep due to the common phobia of insects when reporters hyperbolically co...
Is there a better work at the intersection of filmmaking, cinephilia, and their attendant madnesses? However evident its genius, Peeping Tom has awaited a prop...
While Cannes Film Festival is most synonymous with towering, established auteurs of international premiering their latest work, if one digs a bit deeper into t...