In my time working at a bookstore in Princeton, NJ, I weathered three Walter Isaacson releases: “Do we have more Musk downstairs?” These glossy bricks appeared...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Welcome to a new episode of The Film Stage Show! On a new episode, Brian Roan and Robyn Bahr are joined by special guest Katarina Docalovich to discuss Sofia C...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving ImageReverse Shot celebrates its 20th anniversary with a months-l...
The power of Lou Reed’s “Perfect Day” stems from its restraint: a piano’s torch song, nearly Sinatra-like; the singer’s nasal-mush baritone, divinely. Strings ...
One of my most-read pieces last year revolved around two films that hadn't shown a single frame. Strange except for the fact that it was a conversation with Er...
The impact of two Legend of Zelda games––Ocarina of Time (1998) and Majora’s Mask (2000)––on cinephiles of a certain age bears excavation. The games introduced...
Consistent comparison to Parasite is the dream of any sales agent and producer in 2023, which surely made those behind Raging Grace awfully pleased. Solidifyin...
For Orlando, My Political Biography, the term “festival darling” is an understatement. This experimental take on trans history, storytelling, and filmmaking it...
When we spoke last week, Pedro Costa described his latest project The Daughters of Fire with a clarity, conviction, and care that wouldn't suggest his film run...