The Film Stage - Page 133

A Still Small Voice Director Luke Lorentzen on Access, Honest Moments, and Patient Filmmaking

There are so many scenes in A Still Small Voice that will stay with viewers. Or at least it feels that way. In truth, the 90-minute documentary mostly consists...

Daisy Ridley Contemplates Mortality in First Trailer for Sometimes I Think About Dying

Whether you are shutting down inane audience "questions" or using your clout to get indie films financed, most involved in the new generation of Star Wars are ...

Watch Paul Thomas Anderson’s New Music Video for The Smile’s “Wall of Eyes”

After many film and music collaborations between Paul Thomas Anderson, Thom Yorke, and Jonny Greenwood, they've once again teamed for a new project. Following ...

Darren Aronofsky to Direct Elon Musk Biopic for A24

In my time working at a bookstore in Princeton, NJ, I weathered three Walter Isaacson releases: “Do we have more Musk downstairs?” These glossy bricks appeared...

New to Streaming: The Killer, The Curse, The Eternal Memory, Dicks: The Musical, Scrapper & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

The Film Stage Show Ep. 519 – Priscilla (with Katarina Docalovich)

Welcome to a new episode of The Film Stage Show! On a new episode, Brian Roan and Robyn Bahr are joined by special guest Katarina Docalovich to discuss Sofia C...

NYC Weekend Watch: 35 Shots of Rum, ’50s Hitchcock, Surrealist Marxism & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of the Moving ImageReverse Shot celebrates its 20th anniversary with a months-l...

Wim Wenders Soundtracks Fiction’s Ritual in U.S. Trailer for Perfect Days

The power of Lou Reed’s “Perfect Day” stems from its restraint: a piano’s torch song, nearly Sinatra-like; the singer’s nasal-mush baritone, divinely. Strings ...

“I Don’t Think Directors Should Be Amenable”: Erik Messerschmidt on Shooting The Killer and David Fincher’s Simple Process

One of my most-read pieces last year revolved around two films that hadn't shown a single frame. Strange except for the fact that it was a conversation with Er...

Nintendo Announces Live-Action Legend of Zelda Feature

The impact of two Legend of Zelda games––Ocarina of Time (1998) and Majora’s Mask (2000)––on cinephiles of a certain age bears excavation. The games introduced...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Reviews

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Paddington in Peru Review: Threequel Fails to Climb to Franchise Heights

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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