The Film Stage - Page 130

First Look at Robert Eggers’ Nosferatu Brings Murnau to the Modern Age

Update: Nosferatu will open on December 25, 2024. After his biggest project yet with The Northman, Robert Eggers jumped quickly into his long-developing pas...

Film Fest Knox Introduces New Ways of Seeing in Inaugural Edition

We are less than a year removed from Robert Redford’s provocative declaration, at the 2023 Sundance Film Festival’s opening presser, that “there are too many f...

Thessaloniki Review: Camping du Lac is a Bewitching Ode to Stories and Storytellers

A film enamored with stories and with the art of telling them, Éléonore Saintagnan’s Camping du Lac opens with the director addressing the audience the way a r...

U.S. Trailer for Germany’s Oscar Entry The Teachers’ Lounge

While it's difficult to imagine there will be a better German film––or film, period––this year than Christian Petzold's Afire, the country went with Ilker Çata...

Frederick Wiseman on the Artistry of Cooking and Creating Echoes of His Work

Frederick Wiseman’s new film, Menus-Plaisirs Les Troisgros, a four-hour documentary on the Troisgros family and their three restaurants located in central Fran...

The Film Stage’s 2023 Holiday Gift Guide

The holidays are upon us, so whether you looking for film-related gifts or simply want to pick up some of the finest the year had to offer in the category for ...

Christopher Blauvelt on May December, Formatting for Netflix and 35mm, and Life Lessons from Harris Savides

Many cinematographers wouldn't want to be mistaken with someone else, but Christopher Blauvelt was exceedingly unbothered when I revealed May December initiall...

New to Streaming: Queens of the Qing Dynasty, Albert Brooks, The Creator, Good Time & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Watch an Exclusive Clip from The Gods of Times Square, Presented by Josh Safdie

The true pleasure of watching a filmmaker's favorites is spotting influence. Artists, for all their daring and transgression, can only go so far escaping this,...

Please Don’t Destroy: The Treasure of Foggy Mountain Review: Laughs Wear Thin in Tired Adventure

Please Don’t Destroy, the comedy troupe comprising NYU alums Ben Marshall, John Higgins, and Martin Herlihy, broke through the haze of hopeful comedians with q...

News

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Trailers

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Reviews

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Paddington in Peru Review: Threequel Fails to Climb to Franchise Heights

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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