The Confirmation opens with a child and his mother waiting outside a church. As the first lines of dialogue were spoken, I felt a sudden pang of shock, thinking...
For micro-budgeted indie dramas, the story of the addiction-riddled black sheep coming home for a family gathering has become as well-worn as the biopic for Osc...
Welcome, one and all, to the newest episode of The Film Stage Show! This week, I'm joined by Amanda Waltz and Bill Graham to discuss Dan Trachtenberg and J....
Near the end of his essay for the Criterion release of Dazed and Confused, Kent Jones writes, “ Linklater has a keen, poetic memory for exactly how we did nothi...
Pleasant enough, if not paper-thin and featherweight, The Perfect Match is a bland picture starring attractive people that never quite seems to connect the dots...
Kelly Reichardt’s River of Grass is a “lovers on the run” film, but the main characters aren’t lovers, and their version of the lam is spending a few days at a ...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
Forget the Cloverfield connection. The actors who were in this film didn’t even know what the title was until moments before the first trailer dropped. Producer...
Crude, cruel, and uncalled-for in the best possible way, The Brothers Grimsby, like The Dictator, marks another evolution away from the guerilla theater that pu...