The Film Stage - Page 12

Notice to Quit Review: A Father is Engulfed by the City He Lives In

New York City can swallow you whole. It can be an uncaring place with busied people walking down frustrated avenues. It's not that the city is mean or that the...

Cate Blanchett and Alicia Vikander Might End the World in Red Band Trailer for Guy Maddin’s Rumours

Premiering at Cannes Film Festival earlier this year, Guy Maddin, Evan Johnson, and Galen Johnson expanded their scale and scope with Rumours, an apocalyptic p...

The Substance Director Coralie Fargeat on Playing By Her Own Rules and the Strong Weapon of Humor

Coralie Fargeat’s Revenge (2017) thrilled audiences with its never-ending finale chase sequence through hallways lubricated in Shining-level quantities of bloo...

Francis Ford Coppola Confirms Musical Megalopolis Follow-Up The Glimpses of the Moon

One week before Megalopolis would seem the most impossible time to consider another Francis Ford Coppola movie, but perhaps that is the exact dividing line bet...

Kelly Reichardt to Direct Josh O’Connor in The Mastermind, Acquired by MUBI

Update: Alana Haim has joined The Mastermind, per THR, as well as The Drama, a film from Dream Scenario's Kristoffer Borgli starring Robert Pattinson and Zenda...

NYC Weekend Watch: Demonlover, Toute une nuit, First-Person Docs & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaOlivier Assayas' Demonlover plays on 35mm Friday and Sunday; Frederick Wiseman's...

New to Streaming: His Three Daughters, Last Summer, Coma, Cuckoo, Blink Twice & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

The Film Stage Show Ep. 548 – Janet Planet (with George W. Myers)

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by George W. Myers to discuss Annie Baker's directorial debut Janet Plane...

Lisandro Alonso on Eureka, Indigenous Perspective, Film Festival Controversies, and Being Stubborn

One of the pioneers of contemporary slow cinema, Lisandro Alonso made a name for himself on the festival circuit with his 2001 feature La libertad, which took ...

Go Behind-the-Scenes of Carol Reed’s The Third Man in Exclusive Photos From New Book Arriving on 75th Anniversary

Released 75 years ago this year, Carol Reed's towering masterwork of film noir, The Third Man, has entered generation upon generation. Now, in celebration of i...

News

Léa Seydoux, Lee Kang-sheng, Margaret Qualley, Steven Yeun, Natalie Portman, Armie Hammer & More Set Next Roles

Exclusive: Paul Schrader’s Next Films Involve a Pederast Professor and a Wall Street-Set Erotic Thriller

2024 Gotham Awards Nominations Unveiled

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

NYC Weekend Watch: “Silent” Movies, Godzilla & More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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