Premiering at Venice and stopping by TIFF this fall was Brimstone, a new western from director Martin Koolhoven. Starring Guy Pearce as an evil religious ze...
Not to be confused with Edgar G. Ulmer's 1945 film noir classic, next year's Detour comes from Christopher Smith, the U.K. director who has impressed with T...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
M. Night Shyamalan movies are almost always better when he’s having fun. Like The Visit, Split makes mischief out of the balance between horror and comedy, cont...
Considering that Damien Chazelle names the Jacques Demy masterpiece The Umbrellas of Cherbourg as perhaps his favorite film of all-time -- and a clear-as-da...
While Groundhog Day set the time-loop standard in Hollywood, we've seen some sci-fi movies (Edge of Tomorrow and Source Code) take on the concept. Now it's ...
With Miss Sloane arriving this Thanksgiving (our AFI Fest review), it provides the ideal platform to preview the next starring role for Jessica Chastain, so...
A highlight on the fall festival circuit last year, stopping by both TIFF and Venice, was Simon Stone's directorial debut The Daughter. As a longtime theate...
