The Film Stage - Page 1122

Review: ‘Julian Schnabel: A Private Portrait’ is a Broad Overview of the Artist

Executive produced by its subject, Julian Schnabel: A Private Portrait offers access to the painter, filmmaker, and amateur extreme sportsman with commentary ab...

The Mission Begins in New Trailer for Christopher Nolan’s ‘Dunkirk’

Christopher Nolan is back with Dunkirk, an epic story of survival -- just don’t call it a war film -- and there is a new preview ahead of its summer release...

New to Streaming: ‘Things to Come,’ Jacques Rivette, ‘I Am Not Your Negro,’ ‘Blow Out,’ and More

All the newly streaming films on Netflix, FilmStruck, Amazon, and more....

NYC Weekend Watch: ‘Stalker,’ Goldie Hawn, Jean-Pierre Melville, Jiang Wen & More

All the best films screening in NYC this weekend....

First Trailer for James Cameron’s 3D Re-Release of ‘Terminator 2: Judgement Day’

James Cameron sure does love 3D movies. So much so that he’s personally going back and converting his older films into the format himself. He converted Tita...

Montclair Review: ‘The Strange Ones’ is Exceptionally-Directed, Maddeningly Plotted

The Strange Ones is a maddening, yet exceptionally-directed debut feature from acclaimed short filmmaking duo Lauren Wolkstein and Christopher Radcliff, adapted...

Montclair Review: ‘Brave New Jersey’ is a Charming, Nostalgic Comedy

Welcome to Lullaby, NJ, population 506, the fictional town at the center of Jody Lambert’s delightful comedy Brave New Jersey “where strangers are friends and n...

Tribeca Review: ‘A River Below’ Proves Environmental Advocacy Isn’t Always Straightforward

Unintentionally timely, A River Below may be read as a Trump-era document, a tale of environmentalists versus local industry. The film begins deceptively simple...

Tribeca Review: ‘True Conviction’ Celebrates Important, Justice-Seeking Work

Jamie Meltzer’s True Conviction explores a quasi-detective agency in Dallas (seemingly run out of the the Hickory House BBQ restaurant) founded by three men who...

The Film Stage Roundtable Ep. 21 – Pitching the Past and Legendary Pictures

We discuss which directors we would like to see tackle a period piece, and which legends we would like to see adapted for the silver screen....

News

Exclusive: Altered Innocence Acquires Restoration of Srđan Karanović’s Virgina for Fall Release

Japan Cuts Announces 2026 Slate Featuring Hirokazu Kore-eda, Gakuryu Ishii, Yoji Yamada & More

Alice Rohrwacher to Direct The Baron in the Trees; Next Film to Be Primarily Silent

Trailers

Cemre Paksoy’s Hands Are Tied In Trailer for Georgia Bernstein’s Sinister Sundance Favorite Night Nurse

Marcello Mastroianni Yearns In Trailer for 4K Restoration of Luchino Visconti’s White Nights

Exclusive Trailer for Greg Vrotsos’ Feature Debut Situations Follows a Journey of Love and Ambition in Los Angeles

Reviews

The Death of Robin Hood Review: A Portrait of the Outlaw as a Bald-Faced Lie

Tribeca Review: Here I’m Alive Is a Raw, Intimate Look at Messy New York Lives

I Am Frankelda Review: Mexico’s First Stop-Motion Feature Speaks Truth to Power

Features

New to Streaming: Blue Film, I Am Frankelda, It’s Dorothy! & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Douglas Sirk in 3D, The Organizer, Body Double & More

Interviews

“The Hard Work Is In the Screenwriting”: John Sayles on Resourceful Filmmaking, James Cameron, and His TIFF Retrospective

The Currents Director Milagros Mumenthaler on Sensory Filmmaking, Motherhood, and Capturing an Internal State

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

Podcasts

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

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