Todd Haynes is back with Wonderstruck, an adaptation of the book by Brian Selznick. The film follows two children in different eras -- 12-year-old Ben (Oake...
Kékszakállú starts off with a disadvantage: it adamantly recreates a sort of purgatory, first in privileged youth malaise and summer daze, then, more interestin...
Guillermo del Toro has a habit of becoming involved with a wealth of potentially exciting projects, only for the films to eventually stall out or never get ...
Director Tomas Alfredson returns with The Snowman, his first film since 2011’s Tinker Tailor Soldier Spy. Adapted from the novel by Norwegian crime-writer J...
For way too long now, the concept of #girlpower in comedies has been dominated by white female narratives in which women of color are an afterthought, either pl...
As is customary, when a new Michael Haneke film premieres at Cannes, we don't see it until the very end of the year. The case is no different with his lates...
The long-scarce, oft-praised work of Jean-Marie Straub and Danièle Huillet has found a home with Grasshopper Film, whose first release will be the duo's 197...
After Patty Jenkins delivered the first DCEU film that audiences genuinely embraced with Wonder Woman earlier this summer, another film featuring the superh...
