The Film Stage - Page 109

Harmony Korine Kisses the Old World Goodbye In Trailer for Aggro Dr1ft

Is Aggro Dr1ft the future of cinema? Not in any quantifiable, justifiable sense. Does it have anything to say? I admire Harmony Korine using infrared images an...

Sundance Review: In a Violent Nature Lurks in the Woods Without Advancing Slasher Tropes

A slow-cinema spin on well-burnished tropes, In a Violent Nature largely strips the artifice of the slasher formula, which dictates a deformed man must hunt do...

Sundance Review: DEVO Tells the Entertaining Journey of a Subversive, Satirical, and Bold Band

As my 13-year-old son and I browsed a Buffalo, NY, record shop on a recent Saturday morning, his eyes were drawn to two action figures dangling from the wall. ...

Sundance Review: Freaky Tales Is a Violent Intersection of ‘80s Oakland Underdogs Lacking Bite

Before the early-morning Sundance premiere of Freaky Tales, one of the festival’s programmers introduced the movie as an explosive, crazy ride that would ...

Vicky Krieps Joins Cate Blanchett in Jim Jarmusch’s Father Mother Sister Brother

With production underway, we slotted Jim Jarmusch's Father Mother Sister Brother fairly high on our list of the 100 most-anticipated films of 2024 with the hop...

Julianne Moore and John Turturro Join Tilda Swinton in Pedro Almodóvar’s The Room Next Door

Last month it was confirmed Tilda Swinton would be taking part in Pedro Almodóvar's feature English-language debut after dabbling in the language with two shor...

John Sayles on Revisiting Lone Star, Working with Toshiro Mifune, and Trying to Make His Next Movie

When you talk about John Sayles, do you talk about America? Watching and examining his beautiful tapestry of films, this reveals itself an easy question to ask...

First Trailer for Road House Remake Arrives as Doug Liman Fights Against Amazon’s Streaming-Only Release

While his recent output hasn't touched the entertainment value of the likes of Edge of Tomorrow, The Bourne Identity, and Mr. & Mrs. Smith, Doug Liman seem...

Sundance Review: Yance Ford’s Power Underlines America’s Unwavering, Expanding Police State

"Police power is immediate power." These opening words from Redditt Hudson––former police officer and co-founder of the National Coalition of Law Enforcement O...

Sundance Review: Eno is an Ever-Changing, Generative Experience Exploring a Legendary Artist

Editor's note: Following the publishing of our review, we received word from Brenden Dawes, who developed the generative system used by the filmmakers of Eno,...

News

Exclusive: New Restoration of Queer Drama By Hook or By Crook Acquired by Altered Innocence for Spring 2025 Release

Tilda Swinton Says The Room Next Door May Be Her Last Film as New Trailer Arrives

Martin Scorsese Praises I Saw the TV Glow, Reveals Plans for Next Films

Trailers

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Beatles ’64 Trailer: Martin Scorsese Captures the Band’s First Visit to America

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

The Best Movies Now Playing in Theaters

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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